Spheres of Influencers

April 30, 2026

Iza Ding, a social scientist, is a keen observer of how culture and politics are imbricated. Her third piece for us, on the hoary concept of soft power as applied to China, provides a singular mapping of modern Chinese history and contemporary culture. Ding suggests that soft power is better understood as a messy admixture of politics and market power whose global appeal represents an accidental propaganda success. By masterfully dissecting the viral toy character Labubu, she unpacks the complicated ways in which a culture is spread. In the end, she writes, soft power is “the softest alibi” of hegemony.

Nicholas Bequelin lived in and has studied China for decades. Unlike many China hands, Bequelin seeks not to explain an inscrutable China to a mass audience (as necessary as this may be) but to showcase the unusual developmental and strategic paths taken by the Chinese state. Simple explanations won’t suffice. Similar to Ding’s effort to complexify the Chinese condition, Bequelin argues that the development of AI doesn’t pit China in a race against the US so much as reveal the two countries’ distinctive political histories and developmental commitments. The future, he argues, for China and the world, may not be rosy.

The historian Daniel Bessner has hardly been shy in taking on challengers to his reinterpretation of postwar American history. His essay here might require him to keep at his intellectual pugilism. Bessner argues that the world is moving into a post-American, non-ideological era where power—not ideals, not ideas—drives international politics. This system may be more realistic but also more fragmented and dangerous, and it will require new forms of cooperation to avoid war.

IL 63’s curated section leads with the acclaimed historian Jeremy Adelman. Adelman, whose book on the history of capitalism will be published later this year, digs into Sven Beckert’s recent doorstopper on capitalism’s development and questions Beckert’s insistence that liberalism and capitalism are invariably at odds.

We follow with Nils Gilman’s trenchant look in Dissent at the new world order. He is guardedly optimistic about the potential for so-called middle powers to play a formidable role, just as the non-aligned powers once did. Read Gilman’s piece after Bessner’s; you’ll sleep better at night.

We conclude with Krithika Varagur, a co-founder of The Drift, with a Paris Review essay that echoes Ding’s take on soft power. Varagur creatively studies the original house journal of Saudi Arabia’s main energy company—Aramco World—not only to observe how Saudi Aramco burnishes its image but also to argue that the Islamic world is less a problem to be explained than a rich field of culture and everyday life.

Duke Ellington’s corpus of compositions is so profound that it invites continued interpretations. Shortly after Ellington’s death in 1974, the guitarist Kenny Burrell organized a large ensemble to play the great man’s music. Here’s the classic “Mood Indigo” with Burrell’s slow-tempo guitar and an intro by Jimmy Smith on the Hammond organ.

—Leonard Benardo, vice president at the Open Society Foundations