Russian soldiers trudge through snow in 1941 during Nazi Germany’s invasion of the Soviet Union, known as Operation Barbarossa. © Apic/Getty

Revisions

October 1, 2026

Some four decades ago, the historian Arno Mayer sparked a historiographical firestorm by arguing that the Nazi destruction of the European Jews was not the outcome of a long-settled master plan. Rather, Mayer wrote, it radicalized into a policy of continent-wide annihilation only at the end of 1941, when the Nazis’ campaign to destroy the Soviet Union failed to achieve the rapid victory they had expected. Jochen Hellbeck’s recent World Enemy No. 1 has traces of the Mayer volume but goes further and returns the Soviet Union to center stage in the chamber of horrors of World War II, after a decades-long interlude during which Poland had become the historiographical center of gravity. Through the novel deployment of personal diaries and other sources, Hellbeck shows that the Nazis imagined Soviet communism as a Jewish-led existential threat and that their 1941 invasion of the USSR became the laboratory in which Nazi mass murder radicalized. The great historian of genocide and memory culture A. Dirk Moses takes the full measure of Hellbeck’s essential tome.

Benjamin Moser’s new book on anti-Zionism has also attracted both foes and friends. Through a series of vignettes, Moser explains that Jewish opposition to Zionism is not a recent aberration or merely an expression of antisemitism, but a long-standing and often suppressed current within modern Jewish thought. Barnaby Raine, an editor at the revitalized socialist British publication Tribune, is an intellectual historian who has written and spoken considerably on theories of contemporary antisemitism. His judicious reading of Moser’s book will, one hopes, complicate the debate and move it past customary loggerheads.

In 2024 Jonathan S. Blake and Nils Gilman published the powerful (and powerfully speculative) book Children of a Modest Star, which established a clear conceptual demarcation between the global and the Planetary. For The Ideas Letter, they deepen their analysis and underscore how the Planetary is not just new fodder for political theorists but a concept that can help rebuild foundational social categories. Planetary thinking for them is about wearing down the assumptions embedded in familiar ideas such as citizenship, the state, the political, and freedom. I had the good fortune of hearing the argument in Rome in June when Gilman presented it at a workshop on democracy and the future I helped convene. Soon enough, we might all become (intellectual) Planetarists.

I first met Gazelle Mba after reading her sharp essays in publications like The London Review of Books. For The Ideas Letter, Mba examines the controversy around the Museum of West African Art (MOWAA) in Benin City, Nigeria, and explains why returning the Benin Bronzes cannot, by itself, repair the damage of colonialism. Restitution has brought artworks back to Nigeria, but it has also intensified unresolved disputes over who rightfully owns cultural heritage and whether that authority belongs to the Oba of Benin, Edo State, the Nigerian federal government, or wider Nigerian and diasporic publics. Mba provides a cogent and humane take on many of the story’s thorny and sensitive questions.

Our curated content kicks off with Francesca Antonini in Modern Intellectual History, who digs into the Italian theorist Vilfredo Pareto’s shifting attachments to Caesarism. Pareto moved from treating it as a dangerous politics of personal worship to regarding a Caesar-like dictator as a possible remedy for political paralysis and social crisis. Antonini uses this shift to rethink the relationship between Italian elite theory, mass democracy, and, naturally, the rise of fascism.

Next up, the political theorist Jonathan White (who also participated in the Rome conference) argues in European Journal of Social Theory that the neo-monarchist jag currently regnant on the far right is hardly new. Instead, it revives the age-old claim that democracy is too short-termist to govern well, whereas concentrated executive power (modeled on monarchy) can more adequately plan for the future. White reconstructs this argument historically and connects it to neoliberal technocracy and Silicon Valley capitalism, and he asserts that its promise to bring long-term stability is upended by the realities of corporate-influenced rule.

Our musical selection comes from the most inspired group of the late 1970s, Wire. Their first record Pink Flag, a “punk suite” as the music critic Robert Christgau dubbed it, remains a classic, and for its fiftieth anniversary next year none other than James Wolcott will be writing about it for us. For now, enjoy its mesmerizing track “Strange.” One can only imagine what Tony Iommi thought of the song’s central riff.

—Leonard Benardo, vice president at the Open Society Foundations